Netflix CRIMINAL FRAUD | 100% Irrefutable PROOF
A page with nothing but links, videos, PDF documents, etc that all prove the massive CRIMINAL FRAUD operation being waged against me simply because I had a good idea and filed a patent for it..
At the very bottom of the page I share a bunch of additional PDF’s of all of the other various people currently involved in this criminal conspiracy which I did not have enough time to investigate further in terms of comparing their age and appearance discrepancies to current, available images or video of them as well as any available (and authentic…) images and video of them around the same time that the fraudulent, back-dated videos they are all appearing in are supposedly from.
The fraudulent, ai generated version of Pinchas Gutter is singing a song that is made up of clips from his 2014 interview…We are also able to very easily establish that Paul Debevec’s supposed ‘video’ footage from 2006 supporting his ‘paper’ is in fact ai generated as well in this video I put together
This is a video I downloaded on August 14th, 2023 as part of my collection of evidence after discovering the Netflix fraud.
It has a claimed upload date of March 7th, 2011 but the exif data indicates that it was ‘produced by Google Inc.’ on July 27th, 2023….
This video is a key piece of evidence which helps lay everything out very clearly - especially when you take into account the actual date that the video was created as we can very clearly see that the guy standing in the center of the video is very clearly referring to the device he is in fact standing on when he states the following:
“Just in the last month we’ve added this stage, which is a laser scanning system so you get a really fine 3d mesh”
“They did it because they’re shooting a movie about a company in Los Angeles at a university that has a Light Stage”
Yup…so the laser scanning system he is standing on was just added within the last month and now this guy that is talking is either part of it and is lying or there are in fact most likely a bunch of people at USC who in fact truly believe they are extra’s in a ‘movie about a company in Los Angeles at a university that has a Light Stage”
Now keep this important fact in mind as you look through these fraudulent videos which are precisely that - A film shoot - Film shoots which were then added to YouTube with fraudulent upload dates for the purpose of creating a completely false history….You get it? ;-)
HELP IDENTIFY THE PEOPLE IN THE VIDEO - WHO ARE THEY?
The following 4 videos were all recorded with OBS Studio - 4k@60fps and consist of the following:
3840 x 1080 Screen Capture for the top half
DLSR Lumix 1920 x 1080@60 into a Magewell 4k USB Capture for the bottom right
Logitech Stream Cam Pro which might be 30 or 60fps (depending on how it’s feeling..) for the bottom left.
Audio is recorded from two microphone sources which are separated into right and left stereo.
Right side is a Yeti Blue USB Microphone sitting to my desk to the right, rear side of my keyboard.
Left side is the microphone input from the Logitech Stream Cam, which is on a tripod to my left at about chin level or so
I make sure to include the inspect window in all web based searches / download / etc. as well as a search to verify the current date and time
Anyone who understands computers, video technology in general, video editing, and audio knows exactly why I set it up this way. The reason being is that it would be impossible for me to fake any of this - especially when considering the date it was recorded and the date I am sharing. It doesn’t get more ‘solid’ and ‘irrefutable’ than this… ;-)
Video 4 - 12/23/2023
Busting out CNN while also discovering Paul Debevec’s BIG FAT FACE and a mismatched version of his ‘Light Stage’ PROVING FRAUD
Rumble 4k - Video 4/ Part 1 of 4
Rumble 4k - Video 4/ Part 2 of 4
Rumble 4k - Video 4/ Part 3 of 4
Rumble 4k - Video 4/ Part 4 of 4
Video 3 - 12/19/2023
Completing the run through of live downloads and processing exif data
Rumble 4k - Video 3/ Part 1 of 1
Video 2 - 12/18/2023
The 2nd run through of live downloads and processing exif data on December 18th, 2023 after I realize that the 720p versions are the ones which contain all of the Google metadata
Rumble 4k - Video 2/ Part 1 of 3
Rumble 4k - Video 2/ Part 2 of 3
Rumble 4k - Video 2/ Part 3 of 3
Video 1 - 12/18/2023
My 1st run through of live downloads and processing exif data on December 18th, 2023
This is the only version with the audio issue. I had my Microphone USB plugged into the same bus that my external nvme drive was plugged into that was receiving the video recording data. Since I separate my main microphone to the right speaker and the webcam microphone to the left all you have to do is drop the right speaker and turn up the volume and it won’t be so annoying. I obviously only want to do this once and so it is what it is..
Rumble 4k - Video 1/ Part 1 of 4
Rumble 4k - Video 1/ Part 2 of 4
Rumble 4k - Video 1/ Part 3 of 4
Rumble 4k - Video 1/ Part 4 of 4
YouTube Video Documentation and Notes -
along with the YouTube embeds while they last…
I have all of the originals though obviously and I’m guessing it’s hard to enforce a copyright claim on content that’s used to aid or assist in criminal fraud…yeah?
Alphabet / Google / YouTube are carrying out CRIMINAL FRAUD
**VIDEO NO LONGER AVAILABLE**
Morgan Spurlock's 'Inside Man' returns for...
CNN -
The MOST TRUSTED Name In News….
https://www.youtube.com/watch?v=_iWLKnloRFM
YouTube Upload Date - 1/21/2014
Metadata - Google Inc. creation date - 2023:08:13 13:10:09
Digitizing Photorealistic Humans Inside USC's Light Stage
Adam Savage's Tested
https://www.youtube.com/@tested
https://www.youtube.com/watch?v=c6QJT5CXl3o
YouTube Upload Date - 8/22/2016
Metadata - Google Inc. creation date - 2016:08:24 17:53:17
04:00 -
Paul talks about shooting 'Bruce' and goes over the tech of his claimed 2006 research
Debevec is wearing the familiar green 'SHOT DEPT' shirt, black watch and appears aged to current day videos
Light Stage: Amazing avatars worthy of the Army, and Hollywood
LabTVonline
https://www.youtube.com/@LabTVonline
https://www.youtube.com/watch?v=sHVq4toVSVg
YouTube Upload Date - 6/2/2015
Metadata - Google Inc. creation date - 2015:06:02 23:31:47
00:36 -
Shows the same clip of the bruce animation from Debevc's claimed 2006 research
02:11 -
Shows clip of the same 'Bruce walking on rotating treadmill' from the claimed 2006 research paper. Debevec does in fact talk about it but not while he is shown on camera at all.
ANALYZE VOICE AUDIO - LOOK FOR DISCREPANCIES IN WAVE FORM ANALYSIS
02:19 -
Transitions to a discussion about 'Light Stage 6' featuring Pieter Peers, PhD - Computer Graphics Scientist
COMPARE CURRENT DAY IMAGES AND VIDEO OF PIETER PEERS TO ONES FROM CLAIMED DATE OF THE YOUTUBE VIDEO
2:50 -
As Pieter Peers continues to talk it transitions to the same video clips from Debevec's claimed 2006 research papers featuring 'Bruce'
3:06 -
Video transitions back to a woman named Jay Busch discussing the 'Digital Emily Project' which is authentic past work from Debevec - meaning the clip of Jay Busch is probably very old and authentic video footage from somewhere around 2008 or whenever the 'Digital Emily Project' happened.
TRY TO CROSS REFERENCE WITH CURRENT DAY IMAGES / VIDEO OF JAY BUSCH IF SHE HAS AN ONLINE PRESENCE CURRENTLY
3:31 -
Transitions back to the SAME footage of multiple digital twin copies of 'Bruce' claimed to be from Debevec's 2006 research and has audio of the much younger Debevec dubbed over as it transitions back to him on camera as he is discussing it before showing another brief clip of the SAME 2006 footage of 33 Bruce clips Debevec appears to be much younger in this video, especially when compared to videos from the same time period. Most likely an authentic video from the past with the fraudulent video footage inserted as there is no direct discussion by the younger appearing Paul Debevec while on camera about the 2006 clips being shown.
Morgan Spurlock, CNN and Graphics Lab
ICT Vision and Graphics Lab
https://www.youtube.com/@ICTGraphicsLab
https://www.youtube.com/watch?v=h-KIRObW6OU
YouTube Upload Date - 8/25/2014
Metadata - Google Inc. creation date - 2016:08:20 15:27:54
I’m of the opinion that it was later decided that some of these dates would be changed and so that is why we are seeing metadata would appear correct (or close at least..) if the upload date on YouTube was 8/25/2016 instead of 8/25/2014. This same thing occurs for the 4 part ‘Visual Effects Society’ conference they filmed and backdated with help from YouTube / Google as we can see that for three out of the four videos the metadata for them appears in a similar time frame as if they were originally planning on using another fraudulent date but then late changed their mind as they were making decisions and getting all the pieces of their CRIMINAL FRAUD in place..
00:00 -
Title appears on-screen: 'Creating A LIFE-SIZED Automultiscopic Morgan Spurlock for CNNs Inside Man'
00:05 -
Shows a static image of Morgan Spurlock standing inside of 'Light Stage 6' - Zooms out and an annotation appears indicating that '30 video cameras' were used
00:16 -
At this point Morgan Spurlock appears in a 10 x 3 grid of video clips similar to the 11 x 3 grid of clips from Debevec's 2006 video 'footage' of 'Bruce'
02:17 -
Title appears on-screen: 'Results FROM CNN's "Inside Man" - CNN April 20th 2014' This is the same exact setting as the video titled 'How USC's Automultiscopic 3D Display Works' which contains the provably fraudulent clip of Pinchas Gutter that is claimed to be from 2013. Due to the fact that we actually see video footage of Morgan Spurlock in the 10 x 3 grid of video clips shot from different angles while in the 'Light Stage 6' it's a safe assumption that this entire video consists of footage which was shot in current time (2023..) and then simply posted on YouTube with a fraudulent date
THIS MEANS THAT THERE IS NEARLY A 10 YEAR DIFFERENCE IN MORGAN SPURLOCK'S TRUE AGE - COMPARE THE VIDEO FOOTAGE OF MORGAN SPURLOCK IN THIS VIDEO TO ALL OF THE AVAILABLE 'CURRENT DAY' FOOTAGE OF HIM AND TO 'AUTHENTIC' VIDEO AVAILABLE OF HIM DURING 2014 TIME PERIOD WHICH I WOULD GUESS IS WIDELY AVAILABLE ONLINE - LOOK FOR AN OBVIOUS DIFFERENCE IN AGE DUE TO THE CLAIMED DATE OF THE VIDEO.
How USC's Automultiscopic 3D Display Works
Adam Savage's Tested
https://www.youtube.com/@tested
https://www.youtube.com/watch?v=CIo-epgTjCs
YouTube Upload Date - 9/5/2016
Metadata - Google Inc. creation date - 2016:09:06 03:50:02
00:24 -
Pinchas Gutter is shown on the display as a 'hologram' which is in fact from the authentic video footage from 2014 which we know due to the clothing and the red chair although in all of the videos online now which show the authentic video footageof Pinchas from 2014 (as it is being claimed) it definiitely appears that the contrast and black levels are being tweaked in order to make his clothing appear much darker than it truly was as is shown from the actual interactive 'Dimensions In Testtimony' exhibit as available on the USC Shoah Foundations interactive exhibit which is also currently on display in multiple Holocaust museums. I'm of the opinion that they are doing this to make it appear closer to the fraudulent ai generated footage of Pinchas that is claimed to be from the 'Pilot/Prototype' footage shot in 2012. His vest is actually a light gray color and his button down shirt a light blue but it appears they want it to instead appear as though he is wearing a black vest with a white shirt which is much closer to the fraudulent version of Pinchas Gutter when he is sitting in a different chair. It's also worht mentioning that it would've been possible to create this 'hologram' we are seeing in the viideo from the authentic footage of Pinchas shot in 2014 as part of their stated goal was to in fact make sure they shot it with a multitude of cameras specifically to 'future proof' it so that they could combine use it at a later date to produce exactly what is shown beginning at this time stamp.
01:02 -
A direct head on shot of Pinchas showing how over exposed the video footage is. His shoes in the unedited video footage are brown as an eexample and the authentic chair is bright red. This is very clearly noticeable due to his hands which appear bright completely white.
01:08 -
There is a shot of a woman in the background that is not supposed to be part of the video that appeears who is shown with a phone - WHAT IS THE MODEL OF THE PHONE? WAS IT AVAILABLE IN 2016? During this same time stamp we get a very clear view of the wireless mic pack that the interviewer clipped onto his pocket - CAN ANYONE IDENTIFY THE MODEL OF THIS MIC PACK - WAS IT AVAILABLE IN 2016? WHAT WATCH IS THE PRESENTER WEARING? WHAT IS THE MODEL OF THE PICO PROJECTORS SHOWN IN THE VIDEO? ARE THERE ANY OTHER UNIQUELY IDENTIFIABLE PRODUCTS WHICH CAN BE IDENTIFIED AND DATE IN THIS OR OTHER VIDEOS I AM SHARING HERE? WHAT IS THE MODEL OF ADIDAS SHOES 'COKIE NAGANO' IS WEARING AND WHAT YEAR WERE THEY RELEASED?
02:15 -
Debevec begins talking about Pinchas Gutter and the Holocaust. What he is saying sounds suspiciously similar to that which Debevec says from the claimed 2013 video with Aaron Herman as if he is reading the same exact script even though the videos are supposedly 3 years apart in their claimed date (without spending the time to compare directly)
03:43 -
The fraudulent, ai generated footage of Pinchas Gutter begins. It appears to be the EXACT same footage that is shown in the 2013 video between Paul Debevec and Aaron Herman. As you can see this version of Pinchas is in a different chair and is in fact wearing a black vest, a white shirt, and black velcro shoes while also maintaining his true skin pigmentation as opposed to being overexposed.
Paul Debevec appears in the SAME green 'SHOT DEPT' button up shirt as tthe other videos wiith tthe same black watch and the same jean pants. He also appears much older in this video - as in his current day appearance when he appears in the 2023 SF ACM SIGGRAPH Video on behalf of Netflix and Eyeline Studios. He also has the same full beard that he has in the other videos where he is wearing this same outfit with a very unique little gray patch of hairs on the right side of his face, up near his ear.
The person conducting the interview is named Norman Chan who works for Adam Savage and Tested.com. His X account is at_nchan - COMPARE THIS CLAIMED 2016 FOOTAGE OF HIM TO AVAILABLE SOCIAL MEDIA OR OTHER VIDEO CONTENT HE PRODUCED DURING THE SAME TIME PERIOD TO LLOK FOR DIFFERENCE IN AGE, HAIR LENGTH, AND APPEARANCE IN GENERAL. ALSO CHECK TO SEE IF THIS FRAUD IS BEING SUPPORTED ON ADAM SAVAGES X ACCOUNT at_donttrythis at_testedcom at_joeyfameli AS WELL AS THEIR WEBSITE TESTED.COM I am of the opinion that everyone besides Paul Debevc appears to have a very guilty look on their face as can be seen in the snapshots I took. This includes 'Cokie Nagano' (I have not looked him up at all to see who he is exactly..) as well as the interviewer and even the girl in the background who we catch a couple glimpses of during the video.
Light Stage 6 Construction Timelapse
Paul Debevec's Personal YouTube
https://www.youtube.com/@pedebevec
https://www.youtube.com/watch?v=8WXy61NGy-Y
YouTube Upload Date - 9/25/2011
This video is from Paul Debevec's personal YouTube with a claimed upload date of 9/25/2011 even though the video description indicates that the footage is from 'Fall of 2005' with the actual description being the following - "The first four days of building Light Stage 6 in Fall of 2005 by the USC ICT Graphics Lab. The 8-meter diameter computer-controlled lighting sphere would eventually house over one thousand light sources with over 6,000 LEDs total." This is noteworthy due to the fact that I found the company online named 'Pacific Domes' who claims to have been responsible for both the construction of the dome as well as the rotating treadmill over the span of 6 weeks. Of course it is possible that they could've fabricated it with 'help' from the 'USC-ICT Graphics Lab' but if both the treadmill construction as well as the dome were completed in only six short weeks it would at least be somewhat odd for a hired company that specializes in dome construction to show up onsite to put together one of their domes and choose to allow random people from the USC-ICT Graphics Labs who are unfamiliar with not only building domes but more than likely unfamiliar with construction in general being they are all focused on university level research in computer graphics.
Reality Lab Lectures: Paul Debevec - Creating Photoreal Digital Actors and Environments
UW Reality Lab
https://www.youtube.com/@uwrealitylab
https://www.youtube.com/watch?v=Z9EbuBENCgk
YouTube Upload Date - 12/24/2018
Metadata - Google Inc. creation date - 2018:12:24 20:49:22
00:20:52 -
Debevec makes mention of the 1950's Russian research into using infrared matte technique in film just as he did in the Q&A at the end of his SF ACM SIGGRAPH presentation...
00:21:51 -
Debevec mentions it taking a while for his Light Stage technology to catch on and be used in a feature film and mentions Gravity in 2013 as the first one
00:25:11 -
Debevec makes mention of OTOY and mentions that Tim Hawkins runs it and is a 'collaborator' - Tim Hawkins is one of the authors listed on the fraudulent 2006 research papers
00:57:16 -
Debevec begins talking about going to the Whitehouse and scanning Obama
01:07:26 -
Debevec shows footage of the fraudulent Pinchas Gutter in the Light Stage and begins talking about the USC Shoah Foundation and the Holocaust
01:07:56 -
Debevec shows a 10 x 3 grid of static images of the real Pinchas Gutter as shown in the online interactive demo and video footage that is being used for the actual exhibit
01:12:19 -
Debevec discusses the same people who asked him to scan Obama now asking him to scan the interior of the space shuttle
Debevec appears to be wearing the exact same green 'SHOTS DEPT' shirt and jeans as the other videos. The 'Thank You' credits include many of the same entities as the SIGGRAPH 2023 Credits and appears to be the exact same graphic structure and layout / look overall as if it was reused for all of the fake videos being spread across the internet, etc.
Light Field Imaging: The Future of VR-AR-MR- Part 1: Paul Debevec
Visual Effects Society
https://www.youtube.com/@visualeffectssociety
https://www.youtube.com/watch?v=Raw-VVmaXbg
YouTube Upload Date - 11/25/2015
Metadata - Google Inc. creation date - 2016:08:14 14:25:48
04:20 -
Paul Debevec begins talking about the 'Plenoptic Function' which is never once mentioned in any of his 3 Light Stage patents granted in 2005, 2008, and 2015
26:18 -
Debevec shows the SAME video footage of 'Bruce' on the rotating treadmill that's used everywhere else and puts up the title of his fraudulent 2006 paper titled 'Relighting Human Locomotion Using Flowed Reflectance Fields' - He then goes on to say that a lot of the authors are in the audience and calls them out to see if they are there
28:41 -
Debevec shows the ai generated version of Pinchas Gutter once again instantly proving that the entire presentation is a fraud which implicates a MASSIVE amount of people involved in an active an ongoing case of criminal conspiracy as well as wire fraud being aided very clearly by YouTube who is allowing all of this content to be added into the past with fraudulent upload dates
29:01 -
A 10 x 3 grid of video clips from from different angles is shown of the authentic version of Pinchas Gutter 30:55 Debevec introduces OTOY - which is ran by Tim Hawkins who is one of the authors listed on the fraudulent 2006 academic paper
04:20 -
Paul Debevec begins talking about the 'Plenoptic Function' which is never once mentioned in any of his 3 Light Stage patents granted in 2005, 2008, and 2015
Light Field Imaging: The Future of VR-AR-MR- Part 2: Mark Bolas
Visual Effects Society
https://www.youtube.com/@visualeffectssociety
https://www.youtube.com/watch?v=ftZd6h-RaHE
Metadata - Google Inc. creation date - 2016:08:17 07:07:44
Light Field Imaging: The Future of VR-AR-MR- Part 3: Jules Urbach
Visual Effects Society
https://www.youtube.com/@visualeffectssociety
https://www.youtube.com/watch?v=0LLHMpbIJNA
YouTube Upload Date - 11/24/2015
Metadata - Google Inc. creation date - 2023:11:13 09:26:34
00:56 -
Jules mentions that they are partnered with Warner Brothers as their logo is shown on the projection screen
Light Field Imaging: The Future of VR-AR-MR- Part 4: Jon Karafin
Visual Effects Society
https://www.youtube.com/@visualeffectssociety
https://www.youtube.com/watch?v=_PVok9nUxME
Metadata - Google Inc. creation date - 2016:08:25 14:07:49
New Dimensions in Testimony - USC ICT and SFI - Classroom Concept
ICT Vision and Graphics Lab
https://www.youtube.com/@ICTGraphicsLab
https://www.youtube.com/watch?v=AnF630tCiEk
YouTube Upload Date - 2/8/2013
“Simulated Holographic Video of Holocaust survivor Pinchas Gutter speaking to a class of students. This display is currently under development.
A collaboration between USC ICT and the Shoah Foundation Institute in making a better way to record, preserve, and three-dimensionally display the testimony of survivors of the Holocaust.”
OTOY | GTC 2013 - The Convergence of Cinema and Games: From Performance Capture to Final Render
OTOY / Jules Urbach
https://www.youtube.com/watch?v=etoS6daj20c
YouTube Upload Date - 5/18/2013
Metadata - Google Inc. creation date - 2023:07:07 02:52:26
13:31 -
Jules first mentions 'Light Stage' - One minute later at the
14:31 -
'LIGHTSTAGE' appears on the screen
16:25 -
Jules mentions Sony Image Works and 'Superman Returns' appears on screen
16:46 -
An image appears for Spider Man 2 which states "In 2004 the LightStage technology hits the big screen for the first time in SPIDER-MAN 2" eeven though in Paul Debevec's supposed presentation he conducted at UW Reality Lab he states that LightStage didn't hit the 'big screen' until 2013 in the movie 'Gravity'
28:52 -
Military Simulations is mentioned
31:16 -
Jules says that he want to close his talk with something really cool - that being Paul Debevec (are you surprised?..) - A much younger looking Cokie Nagano appears on the screen even though this was supposedly only filmed 3 years prior to the claimed 2016 footage where Cokie Nagano appears much older and everyone else in the scene looks guilty af except for Paul Debevec who seems to be pretty skilled in the art of deception and lying.
31:44 -
Is the exact timestamp when Cokie Nagano appears on the screen
Virtual Humans Overview
USC-ICT
https://www.youtube.com/@USCICT
https://www.youtube.com/watch?v=N-o_CzN3OC8
YouTube Upload Date - 4/18/2013
Metadata - Google Inc. creation date - 2022:04:11 17:57:38
The video seems to be geared towards military use mainly but also touches briefly on medical / doctor use case as well. Multiple virtual versions of US Military 3D modeled characters are shown
New Dimensions in Testimony preserves Holocaust survivors stories as holograms
Digital Trends
https://www.digitaltrends.com/
https://www.youtube.com/@DigitalTrends
https://www.youtube.com/watch?v=w83pe-0noUU
YouTube Upload Date - 6/6/2017
Metadata - Google Inc. creation date - 2017:05:26 19:49:45
00:14 -
We get to see a more accurate appearance of Pinchas Gutter at the beginning of this short video presentation in terms of accurate coloring levels and contrast
00:25 -
We now see an overexposed Pinchas shown with tweaked contrast and color levels to make it appear that he is wearing a black vest, white shirt, and black shoes. It is important to point out that this is the main focal point and exhibit of the entire 'Dimensions in Testimony' project and involves a foundation that was launched by Steven Spielberg at a university based in Los Angeles that teaches a course in cinematography. To think that Pinchas would be 'accidentally' presented on video and in interviews with such obvious appearance issues in terms of the very clear color level issues in which he appears bright white instead of having his natural skin tone shown is not something that happens by accident. Anyone who works in the entertainment industry in any sort of capacity knows that lighting and color are everything.
01:43 -
We see a quick clip from the 2014 shoot with the authentic version of Pinchas Gutter sitting in the red chair except the levels here are very clearly tweaked as well to make it appear that he is wearing a black vest, a white shirt, and black shoes. The color adjustment taking place is extremely obvious in this particular shot - as in it's intentionally being done.
02:17 -
We now see the clip of the ai generated version of Pinchas appear on screen showing the alternated 'Light Stage 6' configuration that supports the diagram of 'Figure 2' that is shown in Paul Debevec's claimed 20026 paper 'Relighting Human Locomotion Using Flowed Reflectance Fields'. Also take note of the strange flickering that only occurs over Pinchas and the chair he is sitting in. This flickering is also very prominent in the CBS 60 Minutes interview as well.
02:30 -
We again see Pinchas shown with bright white, overexposed skin tone for the purpose of making it appear that he is wearing clothing that matches the alternate, ai generated version of Pinchas that is repeatedly shown in the different chair and which HAS TO BE FROM THE CLAIMED 2012 FOOTAGE RECORDED IN HIS CLAIMED 'PROTOTYPE' 'PROOF OF CONCEPT' filming.
facebook.com/DigitalTrends
Twitter.com/DigitalTrends
instagram.com/DigitalTrends
From the 60 Minutes archive: Letting future generations speak with Holocaust survivors
CBS 60 Minutes
https://www.cbs.com/shows/60_minutes/
https://www.youtube.com/@60minutes
https://www.youtube.com/watch?v=D9tZnC4NGNg
YouTube Upload Date - 4/5/2023
00:48 -
Notice that even the backdrop image of Pinchas Gutter shown behind the actor introducing the segment is colored so that it appears he is wearing a black vest, white shirt, and black shoes.
04:29 -
We see footage appear on screen that HAS to be from 2012 based on the chair as well as the clothing that Pinchas Gutter is wearing. REMEMBER - We have a direct quote where he discusses wearing the exact same clothing so that he would appear exactly the same throughout the shot. Also take into account that he is an elderly gentleman and it would be rather odd to expect him to appear on set and then change into a different outfit so that he could sit down into a completely different chair for some reason. What becomes very clear in this 60 Minutes interview is that they are trying to stealthly mix and match between two completely different versions of Pinchas Gutter, the ai version and the authentic version wearing the correct clothing and sitting in the same red chair. At the very least they are clearly mixing in different footage from two completely separate shoots spanning two years apart if we are to believe any of this nonsensical story they have weaved together.
04:50 -
A close up shot of Paul Debevec appears on screen wearing the same green 'SHOTS DEPT' shirt that has become a rather familiar sighting at this point. I believe this is the 'younger version' of Debevec in which he's simply shaven his face differently and made sure not to have any gray hair. Either way he definitely doesn't appear to be 11 years younger based on other, authentic footage we've seen of him where he appears much younger even in the 2015 video clip. The major tell is to look around his eyes and pay attention to his hairline. Remember that changing someone's appearance is a rather easy and common task in the film world. He could also have skin tightening cream applied to his face along with who knows what other tricks are commonplace. They definitely exist though. Even with that said the Debevec we see in this shot real quick MUST BE FROM 2012 IF THE STORY IS TRUE.
05:21 -
We see a close up shot of Pinchas appear in which he has on the sunglesses being spoke of by Lesley Stahl except this is a different version of Pinchas as he is wearing a completely different outfit. I have not spent the time to analyze this closer but it 100% fact that this version of Pinchas is not wearing the same clothing.
06:03 -
We see a static image of Stephen Smith appear on screen purported to be from the 2014 filming of Pinchas Gutter. We know this due to which clothes he is wearing as well as the red chair he is seen sitting in. This same exact image appears in an article posted to the USC Shoah Foundations website on September 2nd, 2016 in an article titled 'Stephen Smith Talks New Dimensions in Testimony in Johannesburg, South Africa' in which he is wearing the exact same shirt and where all of the temporary wiring and cords that are strung about are all in the EXACT same configuration which even includes unique 'pigtail' loops, pairs of wires side by side shaped in an 'S' shape, etc. It appears that the central, circular positioning within the stage appears to shift to a new position that is not in line with the minor perspective shift of the camera but this would require a more detailed analysis to determine with 100% specificity. Regardless the one thing that is 100% clearly established in my opinion is that these two images of Stephan Smith are from the same exact shoot / time period based on his clothing as well as the cords. Something is 'off' when comparing the two images.
06:09 -
We see a date of March 20th, 2014 on the camera LCD displays - except the one on the right appears to have a different date of April 8th, 2013. Also take notice that almost all of the shots shown in this interview of Pinchas are static images vs. video content. For some reason we see hardly any video footage of Pinchas even though he was being filmed with video cameras from every possible angle...
06:15 -
THIS IS ONE OF THE KEY PARTS - Lesley Stahl asks Pinchas about his appearance and clothing and Pinchas clearly states on camera that he was wearing the same exact clothing throughout the shoot which even included him having three identical pairs of his outfit - yet for some reason in this video we can very clearly see footage being shown purported to be of Pinchas during the 2014 shoot in which he is sitting in a different chair and wearing a different set of clothing - the same clothes he is seen wearing in the 2012 footage in which he is wearing a black vest with a white shirt, and black velcro shoes - His outfit from the 2014 video footage is a gray vest, a light blue shirt, and brown shoes as clearly shown in all of the unaltered video footage of him in which the color levels and contrast are not being screwed with.
06:28 -
Lesley Stahl confirms this as we suddenly see the authentic footage of Pinchas appear on screen in which we can see the bright red chair, his gray vest, and light blue shirt.
07:01 -
We can clearly see the brown shoes Pinchas is wearing
24:59 -
At the end of this we see Pinchas Gutter be given the opportunity to ask his 'virtual self' a question and he uses this opportunity to ask what he says is his favorite one - That being the polish lullaby that his mother used to sing to him. What we get in return are clips of the two different versions of the same Polish lullaby song sung back by himself - exactly as he sung them in his 2014 interview session. The same two versions of this Polish lullaby would then be edited together in order to create a 'unique' version which was then used to create the 2013 video clip in which we see the Ai generated version of Pinchas Gutter answering questions in the classroom. Besides the digital forensic proof aspect of the audio itself what provides even greater proof of the fraud is the fact that they are in fact very clearly from the two separate versions of the same song which proves the intent behind it while at the same time confirming the fact that it is in fact audio which was recorded during the 2014 interview even though it is somehow now appearing in 2013 - into the past, via the assistance of companies like YouTUbe and the Web Archive assisting in the criminal fraud and conspiracy continuing to be be waged against me as I type this.
OTOY | SIGGRAPH 2016 - Light Field Rendering and Streaming for VR & AR
OTOY / Jules Urbach
https://www.youtube.com/watch?v=9X5viuwYDyI
Claimed Video Upload Date - July 2016
Metadata - Google Inc. creation date - 2023:07:23 11:14:32
Sgt. Star: A Virtual Human with a Sense of Humor
LabTVonline
https://www.youtube.com/@LabTVonline
https://www.youtube.com/watch?v=HgI7ptGBqJ4
YouTube Upload Date - 6/1/2015
Metadata - Google Inc. creation date - 2023:09:29 05:54:02
Paul Debevec Talk at Munich SIGGRAPH Chapter: Light Fields & Presidential Scanning 2015
Paul Debevec's Personal YouTube
https://www.youtube.com/@pedebevec
https://www.youtube.com/watch?v=A2HEMNpTwQ0
Claimed Video Upload Date - 2015
Actual upload date as listed on Paul Debevec's YouTube is 4/14/2020
20:47 -
We see 'Activision' and 'NVIDIA' appear on the screen
33:00 -
Whitehouse.gov appears on the screen
- Debevec appears to be wearing the same black shirt that he was wearing during his Visual Effects Society presentation in which he was covering the same Light Field topics and all of the content being presented is the same exact stuff he was sharing during that interview - Debevec's appearance does not match his appearance in the other 2015 video titled "Light Stage: Amazing avatars worthy of the Army, and Hollywood" - https://www.youtube.com/watch?v=Raw-VVmaXbg
Engineering Emmys 2022 Paul Debevec Charles F. Jenkins Lifetime Achievement Award Reel
Paul Debevec's Personal YouTube
https://www.youtube.com/@pedebevec
https://www.youtube.com/watch?v=w9xaG3Tw52U
YouTube Upload Date - 9/29/2022
Metadata - Google Inc. creation date - 2022:09:30 04:07:18
Paul Debevec FMX 2022 "Virtual Production: Getting the Lighting Right"
Paul Debevec's Personal YouTube
https://www.youtube.com/@pedebevec
https://www.youtube.com/watch?v=m-GG92moxnM
YouTube Upload Date - 2022
Metadata - Google Inc. creation date - 2022:05:17 05:13:41
55:55 -
Debevec transitions into the same exact presentation he started off with right before presenting his claimed 2006 'Relighting Human Locomotion' paper in his SF ACM-SIGGRAPH presentation except in this rendition he completely skips over the 2006 research and it instead cuts directly to his 'Relightables' project he worked on with Google which was published in 2019 and features the use of a standard, non-rotating treadmill as part of it.
Jewish Education through Holograms
The Jewish Week / Aaron Herman
https://www.youtube.com/@TheJewishWeek
https://www.youtube.com/watch?v=KisxssBrgi4
YouTube Upload Date - 2/15/2013
Metadata - Google Inc. creation date - 2023:01:10 23:51:19
New Dimensions in Testimony Relighting Method
USC-ICT
https://www.youtube.com/@USCICT
https://www.youtube.com/watch?v=eKu5H4JPF-E
YouTube Upload Date - 3/15/2013
Metadata - Google Inc. creation date - 2023:10:14 01:38:18
New Dimensions in Testimony - USC ICT - Relighting Method
ICT Vision and Graphics Lab
https://www.youtube.com/@ICTGraphicsLab
https://www.youtube.com/watch?v=ilu0wNyY1GA
YouTube Upload Date - 2/8/2013
Overview: USC ICT Graphics Lab
Skip Rizzo Clinical VR
https://www.youtube.com/@SkipRizzoClinicalVR
https://www.youtube.com/watch?v=k_6LL0DUdFI
YouTube Upload Date - 8/14/2014
Metadata - Google Inc Creation Date - 2023:07:18 01:52:26
Online Published Print Articles -
Artificial intelligence is preserving our ability to converse with Holocaust survivors even after they die
CBS News / 60 Minutes
https://www.cbsnews.com/news/holocaust-stories-artificial-intelligence-60-minutes-2020-04-05/
Claimed Article Publishing Date - 4/5/2020
Contains the fake, ai generated Pinchas Gutteras in the story that is claimed to have been filmed in 2012 as a 'prototype run' prior to the clearly documented 2014 filming when the actual filming of Pinchas took place and in which the 2000 questions were asked. Quotes in the articles are verbatim from the 60 Minutes video interview with one of the 'key statements' being when Lesley Stahl asks Pinchas Gutter "Did you have to look exactly the same?" to which Pinchas replies "I had to wear the same clothes and I had three pairs of the same jackets, the same shirts, the same trousers, the same shoes"
New Dimensions in Testimony | 2012 - Present | Project Leaders: Bill Swartout, David Tatum, Paul Debevec
USC-ICT & US Army
https://ict.usc.edu/research/projects/new-dimensions-in-testimony/
Claimed Article Publishing Date - 2012
Page states that only seven cameras were used to film Pinchas Gutter and also contains a link to a PDF file with a clearly visible publish date on the bottom, right hand corner, that reads '03/13' that can be downloaded, and which consists entirely of images which are of the fake, ai generated version of Pinchas Gutter that is wearing the different clothing and sitting in the different chair eveen though the main landing page clearly shows the authentic 2014 version of Pinchas Gutter as he appears in the online, interactive demo available through the USC-Shoah Foundation, as well as the interactive demo that is available in multiple Holocaust museums.
Tech Enables Holocaust Survivors to Engage in Conversations Beyond the Grave
https://www.voanews.com/a/4795582.html
This article serves as a very clear example of the deceptive practices being used in terms of the 'authentic' version of Pinchas Gutter who appears at the beginning of the video wearing a gray colored vest, a light blue button up shirt, dark brown shoes as he sits in a red chair versus the other depictions we end up seeing of Pinchas Gutter later in the video where it is very clear that they have altered various levels such as contrast / exposure / gamma / black levels in order to make it appear that Pinchas Gutter is wearing a black vest, a white button up shirt, and black shoes even though in this particular article as well as the video we do not see any of the completely fake, ai generated version of Pinchas Gutter which is clear due to the fact that we never see the other, large, cushion style chair in any of the shots. Some key timestamps of the video are the following:
00:05 -
At the beginning we get a very clear view of Pinchas Gutter that shows an accurate and true to life depiction of his clothing and appearance overall in terms of coloring and not having various levels adjusted to make him appear closer to the fake, ai generated version of Pinchas that is claimed to have been filmed in 2012.
00:37 -
This is the first point where we now see Pinchas appearing to be wearing much darker colored clothing while also losing the natural pigmentation of his skin we can clearly see at the beginning. Also take note of how dark the red color of the chair he is sitting in has become as it appears to consist of a deep, dark red, plum like color even though in all of the other clips shown of survivors recording their testimony we can clearly see that the chair appears to be a standard, bright red color. We can also very clearly see a record date of 'MAR 19 2014' on both of the camera LCD screens.
01:10 -
Another very clear example of levels being adjusted and Pinchas Gutter having a completely over exposed skin tone
01:17 -
Here we catch a glimpse of the same floor lights we see in Debevec's claimed 2006 research which features the rotating treadmill. These floor lights along with the alternate setup we only ever see Pinchas Gutter supposedly being filmed in for his 'New Dimensions in Testimony' exists for the sole purpose of establishing a false historical reference that can explain away the fact that every single additional interview we see in this same 'Light Stage 6' setup throughout an enormous amount of articles and videos about the project itself as well as the individual survivors being interviewed all reflect an entirely different setup being used - which is in fact the entire reason that the Light Stage setup now being referred to as 'Light Stage 6' was constructed in the first place in my opinion as otherwise there wouldn't need to be such an intense amount of effort and resources being dedicated to constructing this alternate setup and use case of the Light Stage which perfectly reflects the diagram drawing labeled as "Figure 2: A side view of the apparatus showing the tread-mill, turntable, dome lights, floor lights, and camera array" as show in Debevec's claimed 2006 paper titled 'Relighting Human Locomotion Using Flowed Reflectance Fields' The central issue that had to be dealt with in order to successfully carry out the massive fraud operation currently being perpetrated against me was to somehow deal with the fact that there already existed a massive amount of footage, articles, images, and even the 2017 movie '116 Cameras' which depicted the authentic and true use case for the device. Obviously it becomes infeasible to begin altering or changing any of this, hence the logic behind simply moving into the past and generating the fraudulent, ai generated version of Pinchas Gutter in which he is wearing very similar clothing of a darker color, sitting in a completely different chair, and which featured the different layout for the purpose of constructing the false narrative that 'Light Stage 6' already existed and was being used by Debevec and team since 2006 only to then be approached by the USC-Shoah Foundation around 2011 or 2012 at which point they felt it necessary for some reason to put an elderly Holocaust survivor on an International flight from Toronto, Canada (where Pinchas Gutter lives) to Los Angeles simply so that they could film a 'prototype' or 'proof of concept' which featured him in 2012 only to then subsequently have him make the same trek to Los Angeles once again in 2014 for the actual 'New Dimensions In Testimony' pilot production which is when he would ultimately end up going through the entire interview process consisting of over 2000 questions and which spanned over a period of five days. The most obvious question of this narrative they've constructed would be - 'Why the hell would it be necessary at all to fly Pinchas to Los Angeles to film a proof of concept when it would've made much more sense to simply have someone else in Los Angeles sit there for the purpose of making sure everything was going to work properly?" It's important to remember that we are dealing with one of the top Cinematography colleges in the world which is also located in the heart of the entertainment industry where they could've made a couple calls, and exchanged a couple emails and two hours later have someone appear in person who has a very similar appearance to Pinchas Gutter as finding an actor in Hollywood with a specific appearance who is in a specific age range, etc is comparable to a menu at restaurant used to pick out what you want for lunch. The reason that they would then choose to create an Ai generated version of Pinchas Gutter which features different clothing and a different chair is also based on simple logic - They needed to show a clear differentiation that would support two completely separate events - The first being the authentic filming of Pinchas along with the resulting footage which they could not alter or tamper with as it would destroy the entire reason he was filmed in the first place and the second being the claimed 'proof of concept filming' in which they needed to be able to clearly show the entire setup that supported the diagram in Debevec's 2006 paper as previously discussed. Having the alternate version wear darker colored yet similar clothing made it easy for them to alter the authentic footage of Pinchas to look very similar. They needed to be able to still make use of the authentic footage of Pinchas so what they ultimately have ended up doing is intentionally mixing and matching between the two versions across a large volume of articles and back-dated YouTube videos which makes it appear at first glance that they are one in the same while also providing Debevec, Netflix, and the many others involved with the ability to produce video and images solely geared towards the alternate 'Light Stage 6' configuration narrative they needed to establish in order to explain away the massive amount of video content that already existed and showed the authentic configuration and use case which has remained the same ever since for some reason. It is very clear if you look at the futuristic looking setup that the fake, ai version of Pinchas Gutter is being shown in that what they've essentially ended up doing for some odd reason is going backwards to a more primitive and outdated capture method ever since that point as is shown very clearly whenever viewing any of the other survivors that participated in the same interview and capture process - that is everyone except for Pinchas Gutter for some strange reason...
Is "digital cloning" the future of movie making?
https://www.cbsnews.com/news/future-of-movies-digital-cloning-in-maleficent/
CBS News
Claimed Article Publishing Date - 6/2/2014
An article posted on CBS which serves to add credibility to the fraudulent history Debevec and team have created and then placed into the past in order to explain away all the massive amount of available content widely distributed of every Holocaust survivor besides Pinchas Gutter being shown in the authentic, original, standard use case of the claimed 'Light Stage 6' as it is being portrayed. Article also makes mention of the Department of Defense financial backing involved which lines up with my LinkedIn search history in which I am literally being stalked by a multitude of governent agencies as well as private defense contractors who receive a susbstantial percentage of their revenue from the same government sources as Debevec and USC apparently. This story is supported by an article posted by the USC-Shoah Foundation on the exact same day which exists solely for the purpose of talking about this news story while including a link to it, and whose two images in the post feature the fraudulent, ai generated version of Pinchas Gutter in the alternate 'Liight Stage 6' setup being used to support the claimed 2006 research in which Paul Debevec just so happens to create the exact same rotating treadmill which is able to achieve the exact same output as that which is also made possible by Netflix and Eyeline Studios joint venture which is centered entirely around Stephan Trojansky's patent - with these same companies now being the ones which Paul Debevec is supposedly employed by after deciding to leave Google so that he could fill a new role created just for him at Netflix where he would then go on to search for me directly via my LinkedIn profile on two separate occasions via a 'USCCinema' LinkedIn account in which the first one also include the 'US Army Reserves' searching for me during the same one week period prior to me ending up in a 'standoff' with police and SWAT shortly after where he would then go on to become the face of Stephan Trojansky's revolutionary technology by introducing it in his 2023 SF ACM-SIGGRAPH presentation as something he already was lucky enough to have invented in 2006 even though there are no existing patents for it, the three patents that he was in fact granted for his 'Light Stage' do not include any of the key elements at all (such as the word 'treadmill'..), while at the very same time I was apparently unlucky enough to end up filing a patent of my own for the exact same thing as Trojansky with the only difference being that I filed my provisional application 12 days earlier which I ended up receiving a patent for less than one month after my 'standoff' which was filed against the Netflix patent application just 3 days later as a '3rd Party Prior Art' submission which was subsequently reviewed and accepted as 'relevant' by the USPTO, signed off on by the examiner, and then never mentioned or addressed at any point after but which is now clearly displayed at the very top of the patent Netfliix was granted for the exact same thing directly above Kanye West's 2013 patent appllication. Seems legit...
New Dimensions in Testimony on CBS This Morning
https://sfi.usc.edu/news/2014/06/new-dimensions-testimony-cbs-morning
Claimed Article Publishing Date - June 2014
Links to the referenced article on CBSNews.com and features a total of two images - both of which show the fake, ai generated version of Pinchas Gutter who is wearing different clothing, sitting in a completely different chair, and who is surrounded by a completely different 'Light Stage' configuration than any of the other survivor testimonies but which just so happens to perfectly match the diagram labeled as 'Figure 2' as shown in Debevec's claimed 2006 academic research paper.
How Technology Helps Preserve the Testimony of Holocaust Survivors
Claimed Article Publishing Date - 2019
Main image features the authentic version of Pinchas Gutter in the red chair now photoshopped into the new 'Light Stage 6' configuration that was setup and used for the creation of the videos and images being used to support Debevec's claimed 2006 academic research while also being inserted into various video clips and news articles being fraudulently back-dated into the past via large companies like Google, YouTube, and the WebArchive, among many other active participants who are involved in assisting their ongoing, criminal conspiracy.
USC Shoah Foundation Launches Web-Based Interactive Biography of Holocaust Survivor and Educator Pinchas Gutter on IWitness
An article posted on the USC-Shoah Foundations website announcing the launch of the interactive 'New Dimensions In Testimony I-Witness' featuring the Pinchas Gutter footage as recorded in 2014
USC-Shoah Foundation | I-WITNESS | Interactive Online Exhibit Featuring Pinchas Gutter
https://iwitness.usc.edu/dit/pinchas
An online, interactive exhibit in which people can directly interact with Holocaust survivor Pinchas Gutter by utilizing either a microphone or text based input to ask him questions and receive responses in return through the use of Ai large language models
Here are PDF’s of additional people who are DIRECTLY INVOLVED IN THE CRIMINAL FRAUD being carried out against me who still need to have their age and appearance investigated
These are people who could possibly be involved in the CRIMINAL FRAUD but unknowingly - more likely the case for Jay Busch than Peter Pieter Peers in my opinion..
regardless dating everyone’s age still helps solidify the entire fraud regardless so yeah…